A magical-realist, science-fiction documentary about 
	
				beauty and grief. Captions Will Be Needed is filmmaker 
	
				Natalia Almada’s cinematic response to living with a rare 
	
				cancer during an era that believes in technology’s 
	
				omnipotent power to answer all questions.
			
			
  
SUPPORTED BY
				 
				Catapult 
			
			
				 	
				EFICINE – FUNDACIÓN COPPEL
			
	
				 Field of Vision 
			
				 
				Ford, JustFilms						
			
				 
				IDA Enterprise Documentary Fund		
			
					
				 Points North, Diane Weyerman Fellowship 
			
	
				 Secret Sauce 									
			
				 
				Sundance/Sandbox 
			
			
		
        
         2012 MacArthur “Genius” fellow and two-time recipient of the Sundance Documentary Directing Award for El General in 2009 and Users in 2021,  Natalia Almada's directing credits include–Todo lo demás (New York Film Festival 2016), El Velador (Cannes 2011), Al Otro Lado (Tribeca 2005) and All Water has a Perfect Memory (Sundance 2002). She lives in Mexico City and San Francisco.
        
        
        
        
        
        
        
        
MACARTHUR FELLOWSHIP INTERVIEW 
 
ALPERT AWARD INTERVIEW 
 
TEDx SAN MIGUEL TALK 
BOMB MAGAZINE INTERVIEW 
 
ART 21
 
INDIANA UNIVERSITY CINEMA TALK
 
DOWNLOAD HIGH-RESOLUTION PHOTO OF NATALIA ALMADA
        
       
        
          	
        		A mother wonders, will my children love their perfect machines more than they love me, their imperfect mother? She switches on a smart-crib lulling her crying baby to sleep. This perfect mother is everywhere. She watches over us, she takes care of us. We listen to her. We trust her.
				
				
			AVAILABLE THROUGH ICARUS FILMS 
          	
        		
        		
        		Doña Flor is a bureaucrat. It is in everything that comprises her, her non-descript beige blouse, practical heels and knee-length skirts. For over three decades she has attended frustrated and indignant citizens to whom she is nothing but an invisible, lifeless bureaucrat, and has returned each evening to her cat and solitary apartment where she makes obsessive lists of the people she attended to during the day. Inspired by Hannah Arendt’s idea that bureaucracy is one of the worst forms of violence, "Todo lo demás" explores the interior life of Doña Flor as she attempts to resurface.  A kind of “observational narrative” the film is a mesmerizing contemplation on solitude.
        		
				
				
        		AVAILABLE THROUGH ICARUS FILMS 
          	
        		From dusk to dawn EL VELADOR accompanies Martin, the guardian angel whom, night after night, watches over the extravagant mausoleums of some of Mexico's most notorious Drug Lords. In the labyrinth of the cemetery, this film about violence without violence reminds us how, in the turmoil of Mexico's bloodiest conflict since the Revolution, ordinary life persists and quietly defies the dead.
				
				
        		AVAILABLE THROUGH ICARUS FILMS
			
          In 1910 a revolution erupted in Mexico, among its rallying cries "the right to vote." Nearly a century later "Sufragio Efectivo" is heard again as thousands take to the streets. Through the legacy that filmmaker Natalia Almada inherited as the great-granddaughter of Mexican president Plutarco Elias Calles (1924-1928), one of Mexico's most controversial revolutionary figures accused of having been a "Dictator", "Iron Man" and "Nun-Burner", yet also acclaimed for having been the "father of modern Mexico," El General is a portrait of a family and a country under the shadow of the past. 
		AVAILABLE THROUGH ICARUS FILMS   
          An aspiring corrido composer from the drug capital of Mexico faces two choices to better his life: to traffic drugs or to cross the border illegally into the United States. From Sinaloa, Mexico to the streets of South Central and East L.A., “Al Otro Lado” explores the world of drug smuggling, illegal immigration and the corrido music that chronicles it all.
          
		AVAILABLE THROUGH ICARUS FILMS  
          ”All Water has a Perfect Memory” is a poignant experimental documentary that explores the effects of tragedy and remembrance on a bi-cultural family. This moving piece lyrically meditates on the cultural and gender differences between the filmmaker's North American mother and Mexican father as they evoke the loss of their child.
        
		AVAILABLE THROUGH ICARUS FILMS